|
1 |
Introduction
|
Duncan Brown |
|
2 |
Strategic Nostalgia, Islam and Cultural Translation in Leila Aboulela’s The Translator and Coloured Lights
|
Tina Steiner |
|
3 |
Sisters and Spirits: The Postcolonial Gothic in Angelina N Sithebe’s Holy Hill
|
Cheryl Stobie |
|
4 |
Religion and the Interpretation of the /Xam Narratives
|
Michael Wessels |
|
5 |
Postcolonial Studies: A Spiritual Turn
|
Michael Chapman |
|
6 |
“Modern Prophets, Produce a New Bible”: Christianity, Africanness and the Poetry of Nontsizi Mgqwetho
|
Duncan Brown |
|
7 |
Between Nature and Culture: The Place of Prophecy in Zakes Mda’s The Heart of Redness
|
Dirk Klopper |
|
8 |
Seeing the Cosmos in a Grain of Sand
|
Chris Mann |
|
9 |
Review: The Empire Streaks Back
|
Tony Voss |
|
10 |
Review: Michael Cawood Green. 2008. For the Sake of Silence. Cape Town: Umuzi.
|
Paddy Kearney |